When I was a freshman in college seminary back in the 1970s, I got the chance one morning to sing the psalm after the first reading. Many things conspired against me that day. First, this particular psalm was written for a tenor, while I was (and am) a baritone. The first and second verse started with a high E note that I could just barely reach on a good day. Second, I had a bit of a cold, and my throat was a little raw. Third, this Mass was first thing in the morning. Fourth, I didn’t understand then that vocal chords are muscles, and like any other muscles, they need to be warmed up before peak performance. So I decided that my best strategy for hitting that high E was to do as little singing as possible immediately before.
If you know anything about vocals, you’re thinking “Oh, no!” When the moment came to hit that high E, my voice broke — while singing solo into a microphone, amplifying the break for everyone in the church. Fortunately I was among friends — my brother seminarians. I felt bad mainly because my terrible performance probably distracted them from their prayer.
Fast-forward to October 18, 2009. Since the 1970s, I’ve had some experience leading the congregation in singing. But this was a lifetime first: sing a solo while accompanying myself on an instrument (guitar) that I just started relearning eight months ago. The song was “Amazing Grace,” sung to the tune of “House of the Rising Sun” (a la Blind Boys of Alabama). The audience was not a couple dozen brother seminarians, but a couple hundred or so churchgoers, who would either love the song or hate it.
So how did it turn out? Okay. I nailed the vocals. And though my hands were sweaty and shaking, I didn’t make any major mistakes on guitar.
So, next time I’m standing at a podium talking to three appellate judges or seven Louisiana Supreme Court justices, I may be nervous, but I won’t worry. I’ll remember that I’ve done harder things than just talking to a bunch of judges.
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