So I’m in the checkout line at Whole Food where, instead of tabloids, they have a rack of CDs. Among them are two that I pick up: Mothership by Led Zeppelin and Raising Sand by Robert Plant and Alison Krauss. I haven’t had a chance to listen to Raising Sand yet; I know the reviews have been tepid, but the idea of Robert Plant and Alison Krauss singing in harmony intrigues me. I have listened to about half of Mothership, and I’m glad I bought it. Here’s why.
First, it’s rock and roll true to its blues roots. If you like your rock and roll bluesy, then you like (or will like) Led Zeppelin.
Second, Robert Plant’s upper register is still the most preternatural voice I’ve ever heard — an instrument that belongs in the Rock & Roll Hall of Fame. I know that LZ is an inductee; what I mean is that Robert’s voice is an instrument worthy of enshrinement as an exhibit, like one of SRV’s guitars.
Third, because I came of age in the 1970s, these songs hit a sweet spot somewhere deep inside my brain.
Fourth, most of these songs are to sex what the Beatles’ Sgt. Pepper was to drugs. Unrepentant, unapologetic, unabashed testosterone.
Fifth, after something like 30 years, these songs sound better than they did when I first heard them.
My only complaint is a small one: there’s one song not on this album that should be: Living, Loving Maid (She’s Just a Woman). If you dug LZ in the 70s, there’s a risk that your own favorite song might not be on this album. But the songs that did make the cut will make you glad you bought it.
Somehow I think that the Robert Plant on Raising Sand will be quite different from the Robert Plant of LZ’s heyday. The comparison should be interesting.
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