Thomas Merton the music lover
In his autobiography, The Seven Storey Mountain, Thomas Merton writes about his teen years in London in 1929. After breakfast and bath, he would sometimes
go to some gramophone shop and listen to a lot of hot records—and then buy one, to pay for the privilege of listening to all the rest. I used to go to Levy’s, on the top floor of one of those big buildings in the crescent of Regent Street, because they imported all the latest Victors and Brunswicks and Okehs from America, and I would lock myself up in one of those little glass-doored booths, and play all the Duke Ellingtons and Louis Armstrongs and the old King Olivers and all the other things I have forgotten. Basin Street Blues, Beale Street Blues, Saint James Infirmary, and all the other places that had blues written about them; all these I suddenly began to know much of by indirection and woeful hearsay, and I guess I lived vicariously in all the slums in all the cities of the South: Memphis and New Orleans and Birmingham, places which I had never seen. I don’t know where those streets were, but I certainly knew something true about them, which I found out on that top floor in Regent Street and in my study at Oakham.
That’s the power of music. Long before the World Wide Web, it reaches across the Atlantic and captures the heart and mind of a self-centered 15-year-old in London. (Yes, Merton would say that he was self-centered in those days.)

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